60 pages 2 hours read

Good Dirt

Fiction | Novel | Adult | Published in 2025

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Part 1, Chapters 18-34Chapter Summaries & Analyses

Part 1, Chapter 18 Summary: “Kandia”

Content Warning: This section of the guide includes discussion of graphic violence, racism, child death, and pregnancy loss.

It is the year 1803. Kandia holds on to memories of her home in Africa and decides to name her son Mansa. The man who claims he purchased her calls the boy Moses. Kandia decides that “she [will] not allow [herself and her son] to be stolen from themselves” (62).

Part 1, Chapter 19 Summary: “Lookie-Loo”

Back in 2019, Avery tries to remain upbeat about this disruption of her dream vacation. Before bed, she looks at properties for sale in the area. She likes to imagine being in a place “where she is so unknown to those around her that no one has any expectations of her. Where no one would think she is being any more or less herself when she is simply being Avery” (65). In those new places, she can imagine having a different life.

Part 1, Chapter 20 Summary: “Falling”

For the first time, Ebby’s brother appears in the recurring nightmare that she has of the attack. Henry, awake next door, recalls that his mother was always cool to Ebby, and that he felt that he was always walking on eggshells, never knowing what might trigger Ebby. He wonders, “How much of yourself do you have to renounce in order to have the life you think you want?” (68).

Part 1, Chapter 21 Summary: “Ed”

Ed Freeman can tell that something is wrong when Ebby calls, but he doesn’t know what. He and his wife Soh feel anxious for Ebby. They went to a hotel on the night of Baz’s death and never returned to that home, instead moving further down the coast. He now hopes that “they taught their daughter to keep going, no matter what” (71). Ed knows that Ebby enjoys her work as an editor. His concern is that she will always be safe. Hearing Ebby and Soh laugh, “[i]t never fails to amaze Ed how his heart can soar, even as he still feels the hole that’s been blown right through the middle of it by the loss of his son” (73). He has something that he has never shared with his daughter or wife.

Part 1, Chapter 22 Summary: “Broken”

Ed regrets that the last thing Baz saw in his life was the jar, Old Mo, breaking. Old Mo had been a promise to his son, as a young Black man, that lives could change. The last thing that Baz said to Ebby when she found him was that the intruders “broke Old Mo” (75). The children loved hearing stories about Old Mo, especially the one about how the jar helped their parents to fall in love.

Part 1, Chapter 23 Summary: “Old Mo”

It is the year 2000. Ed tells the children the story of how he met Soh. Old Mo is dressed in the baseball cap and mustache that Baz has taped onto “him.”

Ed and Soh grew up together, and he loved her from their first kiss in a tree. When Soh visited during Ed’s time at law school, Ed showed her the jar with the inscription MO, which the family believes to be the signature of the potter, Moses. Soh knew that the jar had historical value, but more importantly, it was a family heirloom. Soh asked to touch the jar, calling it Old Mo, and the name stuck. Ed showed her the words inscribed on the bottom panel.

Part 1, Chapter 24 Summary: “Soh”

Back in 2019, Soh knows there is something her husband is not telling her. She feels as if he has lost ground since Henry abandoned Ebby at the altar. Ed has been spending more time alone. Soh spoke with her mother, who reminded her of their family’s history of helping other families find freedom. Her mother questioned why Soh and Ed chose to live in predominantly white areas. Soh had worried that Henry might not have the commitment to go through life with her daughter. Soh knows that after Baz’s death, everyone questioned what the family had done to deserve such a terrible thing to happen to them. This question is asked again when Henry runs off. Conscious of her background, her standing, and her heritage, Soh knows that she could never slap Henry Pepper in the face. She knows that there are people “who believe that her history is not their history, too” (88).

Part 1, Chapter 25 Summary: “Kandia”

It is the year 1806. Kandia is sold to a sugarcane plantation where the men make the pottery. When she is given surplus clay to make into bowls and jugs, she feels her pain ease. She makes Moses a toy in the shape of a goat and wishes that she could mold a different future for him.

Part 1, Chapter 26 Summary: “Keeping Time”

Back in 2019, Ebby plugs in her brother’s clock radio, which she has kept for 19 years. Henry thought it morbid that she kept it. Ebby never told Henry she was pregnant, and she never told anyone when she experienced pregnancy loss afterward. She has learned from her parents to persevere. Listening to the clock radio, thinking of Baz’s voice, Ebby reflects, “She is no stranger to keeping time by what she has lost” (94).

Part 1, Chapter 27 Summary: “Disquiet”

Avery watches Ebby dig in the garden. She has read about traumatic bereavement and its consequences on the life of a survivor. She decides that she cannot let Henry see Ebby vulnerable.

Part 1, Chapter 28 Summary: “Henry’s Secret”

Henry, who is out taking photographs, reflects on how he ruined his relationship with Ebby.

Part 1, Chapter 29 Summary: “Bridge”

Henry was sitting in on his father’s bridge group when one of the players remarked that Ebby’s family’s heirloom jar was broken during the robbery in which Baz Freeman was killed. The jar was never mentioned in media accounts, so Henry wonders how this man knew about it. He didn’t have the courage to discuss the issue with Ebby because of her sensitivity about Baz’s death. Instead, Henry began to wonder, “Why did her brother’s memory always have to be there in the middle of things?” (201). At two o’clock in the morning on the day he was supposed to be married, Henry grabbed his things and drove out of Connecticut.

Part 1, Chapter 30 Summary: “Moses”

It is the year 1847. Moses writes something into the clay disk that he is making.

Part 1, Chapter 31 Summary: “Moses”

The narrative shifts to a moment 20 years earlier from Chapter 30. As Moses and Kandia travel by ship to the US from Barbados, his mother tells him of how she crossed the Atlantic from the land of the Mandé. She is pregnant, but she dies of the sickness aboard ship. Moses loses his clay goat. The man who claims to buy him gives Moses to a woman named Auntie, who raises him. Her husband, Uncle, teaches Moses how to read and write. The man they call “Master Oldham” allows this even though it is illegal to teach enslaved people to read or write. Moses goes to work in the pottery, which reminds him of his mother. He inscribes the initials MO on each jar. He knows that “Master Oldham was just like other men. Quick to look away when there was something that he did not wish to see” (108).

Part 1, Chapter 32 Summary: “Moses and Flora”

Moses is given permission to marry Flora, and Uncle records their names in the Bible that he keeps hidden. Flora’s younger brother, Willis, assists Moses at the pottery.

Part 1, Chapter 33 Summary: “Soh”

It is the year 1984. Soh’s wedding day is sunny and not too hot. Ed’s parents give them the jar as a wedding gift.

Part 1, Chapter 34 Summary: “The Coast”

The narrative relates that Ed and Soh moved to the coast of Connecticut when Baz was five. Soh pursued her career as a corporate lawyer, and Ed had sold some engineering patents. Soh’s family is very nearly New England royalty; an ancestor of hers had owned property, even while enslaved, and the family went on to accumulate more wealth. Both Ed and Soh have experienced microaggressions from their white colleagues, whom Ed’s mother calls “bad-mannered people” (115). One of Ed’s colleagues, Tucker, was impressed with the historical value of the jar but kept calling it a “jug,” which irritated another friend, Harris. Tucker disappeared during the terror attacks on September 11, 2001.

Part 1, Chapters 18-34 Analysis

These chapters contain several instances of displacement, a movement begun in the previous section with Ebby’s decision to stay temporarily in France. Many of these chapters focus on the importance of Persevering Despite Loss and Trauma. For example, Kandia’s forced removal to Barbados, then Moses’s to the US, are further examples of displacement, but in their case, instead of a move for refuge or self-creation, they try to cling to the identities that are being systematically stripped from them. Moses’s loss of his clay goat, the toy that his mother made him, represents the loss of his heritage just as the shattering of Old Mo represents the loss of Baz’s very life. Likewise, the displacement of the Freeman family from their first Connecticut home, in which they could no longer bear to stay after Baz’s murder, represents a similar consequence of traumatic violence and a subsequent effort at self-protection.

The narrative’s deliberate conflation of Old Mo with the character of Moses, who originally crafted the jar, stands as a form of personification, and the jar itself comes to represent the Freeman family’s history of struggle and resilience. Significantly, the words that Moses carved into his jar remain a mystery, signifying the other secrets that younger generations are keeping—like Ebby’s silence about her pregnancy loss—but Moses’s words also speak to the enduring power of language and story. The power of words is so well known that Uncle knows he must keep his literacy a secret, along with the history of their enslaved community, which he records in the Bible. These acts of resistance, self-preservation, and mutual aid collectively highlight the methods by which people survive atrocities and oppression. In the same way, the love between Moses and Flora—echoing the bond between Ed and Soh—illustrates the power of companionship and devotion. Notably, this is the same type of bond that Ebby and Avery both sought to create with Henry, and which neither woman has been able to achieve. The ability to take solace in another person will prove a chief mechanism for surviving violence, tragedy, and loss.

Just as Ebby, Soh, Kandia, and Avery grapple with the burdens of social and familial expectations, the male characters in the novel likewise confront issues of identity, particularly regarding cultural definitions of masculinity. This theme is also explored in the earlier scene in which Baz is counseled about the fact that he will have to behave in a certain way in order to earn respect as an African American man. While the women think of survival in terms of hiding parts of themselves, the men, too, have secrets that must be kept, and these repressed bits of knowledge create an undercurrent of tension that foreshadows the novel’s focus on the idea of Self-Definition as a Form of Empowerment.

While Ebby’s broken engagement serves as the inciting incident for the present-day plotline, this incident also becomes a second bereavement that compounds her lingering anguish over Baz’s murder and leaves her questioning her own identity and future. The points of view of Avery and Henry add a different perspective on this event and its repercussions, bearing out Ebby’s suspicion that grief is, in fact, always complicated. While Ebby’s flight to France offers her a refuge in which she can attempt to construct an identity free from the burdens of her traumatic history and the assumptions that others have already made about her, the coincidence of Henry’s appearance with his new girlfriend ironically forces Ebby to confront the various ways in which the past always resurfaces, whether one escapes it or clings to it.

Soh also feels The Obligations of Family Legacy when she contemplates her responsibility to live up to her status as a member of a prominent New England family—and, more specifically, a prominent African American family. Even Avery, Henry’s new girlfriend, who has been less deeply affected by past trauma, feels the obligation to live up to the expectations of others, sharing other characters’ sentiments that part of adulthood includes giving up or hiding aspects of the self for reasons of comfort or peace.

The Obligations of Family Legacy are further explored as the histories of both the Bliss and the Freeman families play a role in shaping Ebby’s present. This past history is inextricably linked with the broader experience of African Americans—which, as Soh points out, is not separate from US history as a whole. Despite their remarkable accomplishments—Grandpa Bliss was one of the famed Tuskegee Airmen, and women of the family were pioneering physicians and lawyers—the Freemans always feel that their value is being questioned, if not summed up, by their identification as Black and their minority status in their predominantly white hometowns. This cultural reality adds another level of tension to Ebby’s personal tale of heartbreak and recovery, just as the historical scenes with Moses examine the ways in which the past affects the present.

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