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Little Men exhibits the domestic scenes and intimate mother-child relationships integral to its prequel Little Women, but applies them to a school setting. Alcott re-invents the typical school story and domesticates it by modelling teacher-student relationships on family dynamics. Plumfield is portrayed as a home and sanctuary for the students. The number of students is kept relatively small for a small and resembling instead a large family; there are only 12 boys when Nat arrives. Mrs. Jo introduces herself and her husband to Nat as “Mother” and “Father” Bhaer, and Nat observes that, “it seemed more like a great family than a school” (36).
Furthermore, Mr. Bhaer and Mrs. Jo view their duty of care to include loving the students at Plumfield as parents. For example, Mrs. Jo sees Nat as “a lonely, sick boy who needed just what she loved to give, a home and motherly care” (10). The greatest success story of academic and moral transformation is Dan’s, a violent young vagrant who develops into a keen naturalist and “brave and faithful little servant” (320). Mrs. Jo’s motherly tenderness and Mr. Bhaer’s patience with Dan despite his transgressions empower the adolescent to change. Their love for him is represented as an uplifting force in his life: The Bhaers are “the kind hands that had held him up and led him into the safe refuge of a happy home” (260). This sentimental portrait of the Bhaers’ style of education, which is nurturing, loving and adaptive to individual needs, suggests that the home is the ideal setting for a social education and moral development.
Furthermore, the Plumfield academic methodology is unorthodox and transgressive compared to the standardized and punitive classrooms of the 19th century. Mr. Bhaer’s classes are often interrupted or derailed by the professor himself, as he prioritizes life lessons and practical experiences over bookish learning. This approach is summed up by the statement that, “Latin, Greek, and mathematics were all very well, but in Professor Bhaer’s opinion, self-knowledge, self-help, and self-control were more important, and he tried to teach them carefully” (25). Mr. Bhaer is observant of each student’s moral behavior and often instructs them through sermon-like speeches and metaphorical stories how to behave.
One way in which the education at Plumfield is at odds with conventional classrooms of the time is in its emphasis on time spent outdoors to foster students’ love and awe of the natural world, and to develop functional ways for humans to interact with it. Each boy is given a garden plot they’re expected to grow crops in, encouraging the children’s relationship with plants and earth. Alcott employs the motif of gardening to depict the symbiotic relationship between the children’s inner growth and development and the natural world. Mr. Bhaer’s allegorical teaching about farming in the opening of the novel establishes this motif. He highlights his belief that education does not need to indoctrinate young people but should instead encourage and nurture an unfolding of the inner wisdom of children. The children's inherent goodness, despite their occasional unkind or immoral behavior, is clear in his description of the school as a garden, where “Even the roughest, most neglected little bed had a bit of heart’s-ease or a sprig of mignonette in it” (38). This reflects a transcendentalist view of human nature as divine and interconnected with God’s creation, emphasized metaphorically by Mr. Bhaer when he states that “we are all parts of the beautiful garden, and may have rich harvests for our Master if we love Him enough” (39). This emphasis on environmental education echoes the views of Henry David Thoreau, a famous transcendentalist thinker who taught at Alcott’s school and influenced her family’s milieu. In his famous book Walden, Thoreau argues for the importance of keen observation of the natural world and farming over reading, and his belief that getting in touch with nature brings individuals closer to God.
In Little Men, character journeys of inner and outer growth are enhanced by time spent in nature, a relationship that deepens as the children develop morality and self-knowledge. Physically, the young men grow stronger and healthier from outdoor play: “Such a rosy, sunburnt, hearty set as the boys became; such appetites as they had; such sturdy arms and legs, as outgrew jackets and trousers; such laughing and racing all over the place” (134). The Bhaers allow the boys copious amounts of outside exploration to strengthen their bonds with nature and with each other. For Nat, who arrives at Plumfield weak and lonely, tending his garden helps heal his illness and also strengthens his spirit, therapeutic effects depicted through natural imagery: “But his garden was his best medicine, and he worked away like a beaver, preparing his little farm, sowing his beans, watching eagerly to see them grow, and rejoicing over each green leaf and slender stock” (46). The simile comparing Nat to a busy beaver, and words like “sowing,” “preparing,” and “watching” depict the industrious attitude that grows his confidence and makes him a valuable member of the Plumfield community.
Similarly, Dan’s transformation from a troublemaker into a useful companion (an elevated service position at the time) is catalyzed through his interest in becoming a naturalist. Mrs. Jo views Dan’s love of animals as a testament to his good character and uses his love of nature to motivate him to change. This is symbolized through the cabinet she offers for his collected specimens as a reward for being good, noting that “in the pebbles, mosses, and gay butterflies, I shall see good resolutions carried out, conquered faults, and a promise well kept” (146). Alcott’s characterization of the students through their connection with animals and plants highlights the link between moral development and time spent in nature, and its importance in education.
While Alcott’s novel promotes liberal values for its time, the key moral lessons reinforced by the Bhaers are traditionally conservative. The boys are chastised for cheating, stealing, gambling, and drinking. Kindness, a central Christian value, is upheld as the paradigm of good behavior. Alcott argues that the development of morality in children is essential to character formation; the end goal of this process is creating productive members of society.
The importance of ethical role models is accentuated through the figures of Mr. Bhaer and Mrs. Jo, and the legacy of John Brooke. The Bhaers use allegorical storytelling rather than punitive measures to impart wisdom to their young charges. The novel emphasizes the effectiveness of this seemingly new-fangled style of guidance—though in the novel, using parables is linked to the methodology of Jesus in the Bible, making this pedagogical approach quite old indeed. Appealing to children’s intellect and sense of compassion is shown to be more effective than the fear evoked by corporal punishment. For example, when Dan mistreats the farm animals, Mr. Bhaer gives him an inspirational lecture and models empathy. The omniscient narrator asserts that “Dan went down more tamed by kindness than he would have been by the good whipping which Asia had strongly recommended” (89). The novel portrays kindness as the most important value to instill in a young person. When Mr. Bhaer tells the boys the story of how he avoided a robbery with empathetic listening and generosity, he stresses that “Kindness is always better than force” (306). This reflects the integrity of Mr. Bhaer’s outlook and behavior, as he does not use violence to punish, but instead treats the boys with respect, understanding, and forgiveness. When John Brooke dies, the boys are most impressed by his quality of goodness, noting that he is the most morally upright and kind of their uncles.
The utopian depiction of the community at Plumfield demonstrates the success of a society built on moral development and the traditional values of honesty and charity. Whenever the boys face moral dilemmas, they are guided to choose to look after each other and act respectfully. Using poetic justice, Alcott rewards their good behavior in the idyllic domestic scene that concludes the novel. The two naughtiest and most underprivileged boys, Dan and Nat, are shown to have a bright future ahead of them due to their remarkable changes in manners and morals.
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By Louisa May Alcott
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