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Content Warning: This section of the guide contains descriptions of graphic violence, homicide, suicide, attempted suicide, domestic abuse, child loss, sexual abuse of a child, and addiction.
Polly Chalmers’s amulet, which she initially believes to be an Egyptian azka, serves as a powerful symbol of both desire and manipulation, embodying the novel’s broader themes of temptation, personal weakness, and the cost of greed. Polly, who has debilitating arthritis, is lured into Mr. Gaunt’s shop by the promise of relief from her chronic pain. Gaunt provides her with an amulet that miraculously alleviates her symptoms, and the amulet therefore represents Polly’s deepest longing: freedom from her pain and the chance to reclaim her sense of normalcy. However, like all the items sold in Needful Things, the amulet comes with a hidden cost. It is a tool that Gaunt uses to control Polly, compelling her to carry out “pranks” on his behalf. The relief that the azka provides is temporary at best, dependent upon Polly’s willingness to accede to Gaunt’s influence, and in this way, the object illustrates the insidious nature of his bargains.
Unlike many of her neighbors, Polly finds the strength to question the nature of her chosen item, and she rebels against Mr. Gaunt’s hold, even as she recognizes that doing so will likely bring about the return of her pain. Accepting this price, she bravely destroys the amulet in an attempt to reclaim her power and end Mr. Gaunt’s influence over her. As Castle Rock explodes into chaos, Polly destroys the amulet, unwittingly freeing the spider within, thereby symbolically destroying the corruption that had been poisoning her.
Brian Rusk’s Sandy Koufax card serves as a powerful symbol of innocence and desire that becomes corrupted by the insidious power of external manipulation. For Brian, the card represents more than a simple collectible; it embodies his admiration for a baseball legend, becoming both a connection to his childhood dreams and a symbol of personal fulfillment. However, like all items in Leland Gaunt’s shop, the card is a tool of corruption, and Brian’s downward spiral into despair and death suggests that even the purest desires can be exploited for sinister purposes.
As one of the youngest characters in the novel, Brian himself comes to symbolize the innocence and vulnerability of youth, and his initial longing for the Sandy Koufax card is deeply personal and seemingly harmless. Gaunt recognizes this and offers it to Brian for a deceptively low price—demanding only that Brian complete a few small pranks. However, these acts set off a chain reaction of chaos in Castle Rock as Brian is unwittingly drawn into Gaunt’s web of deceit, and the baseball card therefore becomes a representation of the fact that even innocuous desires can be twisted into instruments of destruction.
The Sandy Koufax card also reflects the larger theme of transactional morality. Upon obtaining the card, Brian sacrifices his own moral compass, even if he does not yet fully understand the consequences of his actions. This interaction with Mr. Gaunt mirrors the experiences of the other townspeople, who are lured into making compromising decisions in pursuit of their own “needful things.” The card’s allure thus prevents Brian from perceiving the greater harm that his actions might cause. In the world of the novel, even seemingly trivial objects become catalysts for destruction when manipulated by malevolent forces.
The Elvis sunglasses and the photograph of Elvis play a pivotal role in illustrating the corruptive power of materialism, as exemplified through the behavior of Cora and Myra. The two were best friends until the arrival of Mr. Gaunt; they bonded over their shared love of Elvis, and Mr. Gaunt takes advantage of this obsession, causing both women to covet a photo of Elvis and a pair of sunglasses that supposedly belonged to him. Myra gets the sunglasses, and Cora gets the photo, and when they realize that both objects enable fully immersive fantasies, Cora and Myra cease functioning as human beings and spend every waking minute masturbating to the thought of Elvis. Abandoning their responsibilities, hygiene, self-care, and social obligations, they develop a rich interior world and remain unbothered by the concerns of real life.
At the beginning of the novel, both women are described as unhealthy in appearance because they spend most of their time eating snacks while watching soap operas. Once they dive into their Elvis fantasies, however, they even lose weight because they cannot be bothered to eat when they could be masturbating. Mr. Gaunt takes advantage of this, threatening to break their items if they do not fulfill his orders to pull certain pranks. Ultimately, Cora goes so far as to abandon all claims to motherhood. After her son Brian dies by suicide right in front of her son Sean, her obsession renders her incapable of caring for Sean or mourning Brian. The Elvis items therefore become a symbol of the potency of addiction, which can compel those with addictions to abandon their most cherished bonds.
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By Stephen King
Addiction
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Appearance Versus Reality
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Challenging Authority
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Community
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Good & Evil
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Guilt
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Hate & Anger
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Mortality & Death
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Order & Chaos
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Power
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Revenge
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The Past
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Truth & Lies
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