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Darnell spends most of his days spending time with other discharged soldiers at the park. He spends his nights experiencing bad dreams or pacing the floor. When he takes his nieces out for a trip to the candy store, he forgets to tell his old, fanciful stories about a knight defending the neighborhood from urban decay and rescuing a princess. Fern insists that he tell the same old stories, but Vonetta tells Fern that such stories are for babies. All the girls are offended when one of Darnell’s old acquaintances questions the righteousness of a Black man going abroad to fight on behalf of the United States against Southeast Asian people.
Mr. Mwile is strict. He punishes the entire class when one person misbehaves. One day, the class watches an anti-drug film that stars pop-rock star Sonny Bono. This is a shock since Bono looks like a hippie. (A hippie is someone who opposed mainstream cultural values during the 1960s; some also experimented with substance use.) The class laughs and sings one of Sonny and Cher’s songs instead of taking the film seriously, so Mr. Mwile punishes the class with double math.
After the film, Delphine stays behind to apologize to Mr. Mwile. She wants to impress him. He is reading Chinua Achebe’s Things Fall Apart, a novel about the process of European powers taking control of a country on the African continent. He tells Delphine that he reads the novel over and over again because it helps him make sense of the history of Black people across the world. Delphine can barely understand what he is saying and babbles on about Island of the Blue Dolphins, a book for middle grade readers. She realizes that the novel is to Mr. Mwile as the Bible is to Big Ma, and she finds this idea shocking. Her ability to make this connection makes her believe that she is finally maturing intellectually.
Later, Delphine writes to her mother to tell her about her plan to read Things Fall Apart, reasoning that it must be an important book if Mr. Mwile reads and re-reads it. She is shocked when Cecile writes back to tell her to wait before reading the book. Cecile states that Delphine is not ready for the book’s message and urges Delphine again to just be 11.
Pa pressures Darnell to get a job so that he will avoid burdening the family financially, but Big Ma tells Pa to leave Darnell alone because she sees the psychological toll that the war has taken on him. He is not even cheered by a visit from John-Isaac, an old high school friend and older brother of Delphine’s friend Freida. John-Isaac is dressed in Black Panther gear that Big Ma dislikes. John-Isaac gives everyone a laugh when he places his black beret on Big Ma's head. It is clear to everyone that something is wrong with Darnell and that there is little they can do to help him.
Lucy Raleigh works in the principal’s office. She overhears that the school has set the date for the sixth-grade dance as Valentine’s Day. When Lucy announces this, Delphine is displeased that Lucy has placed herself at the center of attention as usual, while Lucy is displeased that Delphine tries to deflect attention from her by interrupting. The girls trade insults, with Lucy targeting Delphine’s shame over her clothes and her fear that she won’t have a date for the dance.
Having no prospects for a date other than Ellis Carter, Delphine begins to think about Hirohito Woods, a boy on whom she had a crush in Oakland. She knows that it is impossible for Hirohito to sweep her off her feet by flying across the country to take her to the dance. Still, she cannot help but think about a fantasy in which that happens. She concludes that such fantasies are for little girls like Vonetta and Fern, but she still wants to call Hirohito. When she tries to force Vonetta and Fern to hand over some of her money from the savings jar so that she can make the call, the two team up and stop her. She overhears the girls chanting that they have “killed the giant. Like in ‘Jack and the Beanstalk’” (156). Delphine realizes that her sisters are allied against her just because she is older than they are.
Delphine’s 12th birthday arrives, and she finally feels older. She agrees to take her sisters to buy candy and is surprised by Vonetta’s reminder to save money so that they can go to the concert. Delphine looks at teen magazines, including one that has a small picture of the Jackson Five at the back. Fern and Vonetta stick up for their sister when the store owner threatens to make Delphine pay for the magazines she read. She responds by telling him that she will buy the magazines when there are Black people and Afros on the covers. She sees Ellis Carter watching her as she walks back home and does her best to make sure that he knows she is ignoring him.
One day at school, Mr. Mwile has the students divide into groups to discuss the upcoming presidential election, in which Republican Richard Nixon and Democrat Hubert Humphrey are the major candidates. In the scramble to get into groups, Delphine ends up with a girl named Rukia and the two people she least wants to work with: Danny the K (a boy who has bullied her in the past) and Ellis, who has been working up his nerve to ask her to the dance. Now, the other boys tease Ellis by calling him Elly May, a female character from the country music show Hee Haw. Rukia, who is Muslim, is uncomfortable when Danny the K makes anti-Muslim jokes about her.
Rukia suggests that the group focus on whether a woman has the skills to be president, an idea that both the boys and Delphine find unthinkable. Danny the K’s sexist jokes anger Delphine, and before she knows it, she finds herself in a battle of insults called “playing the dozens,” in which she and Danny the K trade “your mama” jokes. Danny the K’s jokes sting because they are all about Cecile’s absence. The verbal battle is so loud that everyone in the class stops talking, and Mr. Mwile gives Danny the K and Delphine detention.
Delphine serves her detention, after which the school sends home a detention note and calls Big Ma. Big Ma tells Delphine that if she keeps her mind on school, maybe one day she’ll have a respectable woman’s career like being a teacher. Big Ma ultimately sides with Delphine over the detention because she thinks that Delphine got in trouble for rejecting the idea of a woman being president, a change that Big Ma believes would be ridiculous and scandalous.
Big Ma approved of Martin Luther King’s efforts for change but now sees no hope that politicians will deliver on the change they preach, and her disillusionment extends to all Democrats. She is voting for the conservative Republican Richard Nixon because he promises to crack down on countercultural forces and because he looks presidential. Delphine disagrees with her grandmother’s political stance but knows better than to defy her by saying otherwise.
Marva Hendrix comes over for dinner that night, displeasing Big Ma, who gets into an argument with Pa about the matter. Delphine is surprised that Pa doesn’t back down as usual, and she is even more surprised to realize that she wants him to win the argument over Marva’s presence at the dinner table.
More disagreements break out during dinner. When Delphine tries to tell her family about getting detention because of the conversation over whether a woman can be president, Marva interjects to say that Delphine should be applauded for considering a woman for president. Marva reasons that if women were more involved in politics, there might be fewer wars like the one in Vietnam and greater attention to social issues. Marva is a volunteer working on the campaign of Shirley Chisholm, a groundbreaking politician who is a Black woman. The outspoken Angela Davis is a Black Panther who is Delphine’s idol. Pa believes that men bear the responsibility of supporting women and should therefore have the most political authority. Big Ma agrees with this statement but accuses Pa of not pushing back strongly enough against radical ideas like women presidents, especially when these ideas come from school. Delphine feels conflicted because she likes the idea of women in power but also wants Pa’s girlfriend out of her life.
In these chapters, Delphine’s understanding of Black Power politics changes how she sees women—and Black women in particular—especially when it comes to the role of women in politics. Rukia’s suggestion to debate whether a woman is suited to be president forces Delphine to consider her identity in terms of society’s gender roles. At first, she finds the idea of a woman as president to be outrageous, but her familiarity with Angela Davis, a Black woman who was an important part of the Black Panther Party, allows her to make the leap from thinking about politics in terms of race only. This scene demonstrates The Transition From Childhood to Adolescence as Delphine becomes more attentive to the overlap between being a woman and being a Black person, especially when it comes to who has real power and who does not. Thus, her nascent understanding of The Influence of Black Power Politics compels her to redefine her views on a wide variety of issues.
Many forces are arrayed against Delphine as she takes her first steps toward a more sophisticated understanding of race, gender, and political power. For example, her peers are one source of pushback when it comes to the idea of women holding power, and even Big Ma, a powerful woman in her own right, has a limited notion of what women can aspire to, as demonstrated by her assumption that being a teacher is one of the few respectable jobs that Delphine can consider. Big Ma’s opposition to more liberal ideas about gender roles is so great that she offers a rare moment of support for defying authority, especially when she perceives that authority to support more powerful roles for women. Pa also has conservative notions about gender roles, believing that women should remain within the domestic sphere.
Big Ma’s beliefs about women align with her overall rejection of the changes brought about by the political movements of the 1960s, and she also opposes the loud, rebellious youth culture and the influence of Black Power politics. When Williams-Garcia has John-Isaac place his Black Panther-style beret on Big Ma’s head as a joke, the author implies that there is something ridiculous about her extreme resistance to change and to Black Power politics. Delphine wants to avoid conflict with Big Ma over these issues, but she also engages positively with youth culture, adores the Jackson Five, and reads teen magazines. Between the influence of popular youth culture and the Black Power politics that the Gaither sisters learned in Oakland, it is clear that Big Ma is fighting a losing battle against the changes that the younger generations are embracing.
Significant challenges to Big Ma’s perspective on Black politics and gender also come from Marva, one of the few characters who directly promotes a broader role for women in society. The contests between her and Big Ma and between her and Pa sometimes revolve around her refusal to acquiesce to Pa and Big Ma’s conservative politics. Marva strives to bring about the change she wants to see by working on the campaign of Shirley Chisholm, a powerful voice for Black women who insists on their right to claim political power. Marva sees herself as an advocate who can teach Delphine and her sisters to hope for change and pursue more powerful social roles than Big Ma’s generation had the opportunity to claim.
As a girl on the edge of adolescence, Delphine has much to consider as she explores competing notions about power and gender. Her exposure to the Black Panthers and to figures like Angela Davis has taught her that women have a right to their own voices, and Cecile also delivers that message in her letters. As Delphine’s views on the world expand, she must adapt her belief in Black Power politics to apply this definition of power to her nascent beliefs on the roles of women in society, and as she slowly refines her stance, she takes new strides forward in the transition from childhood to adolescence.
As she navigates this private process of conceptual evolution, both internal and external forms of change and conflict continue to disrupt the Gaither family. Delphine does not have the language to explain what is happening to Darnell, but she knows that his relationship with her and her sisters has changed because of his experiences in the Vietnam War. With Darnell’s inability to tell familiar fairytales about the Bedford Stuyvesant neighborhood, the author creates an impressionistic sense of the profound changes that his psyche has undergone. The loss of the old whimsical storytelling tradition also implies that his experiences in war have burned away all vestiges of the person he used to be.
The author uses fairytales to deliver more serious messages on more than one occasion, as the story “Jack and the Beanstalk”—in which a boy climbs a beanstalk to reach and kill a powerful giant—is evidence of a significant shift in the relationship between Delphine and her younger sisters, who begin to function as a unit in opposition to her control. Their defiance is rooted in their understanding of oppression, which they derived from the Black Power politics that they learned in Oakland. Upon being cast as the giant, Delphine realizes that her fear of being her sisters’ oppressor has become a reality. Her desire not to occupy that role makes her establish more distance from her sisters, and upon turning 12, she reinforces her identity as a young person who is closer in temperament to the adults rather than the children in the family.
Delphine experiences yet another form of disillusionment when she changes her perspective on Cecile. Cecile has established herself as a supporter of the girls’ politics, and she also supports women’s empowerment and champions the Black American movement to celebrate ancestral connections to the African continent. When Delphine learns at school that “Nzila,” Cecile’s chosen African name, means something quite different in its original cultural context, she loses some respect for her mother. The difference between Cecile’s definition and Mr. Mwile’s shows that the educational system can serve as a source of conflict within the family. Mr. Mwile's direct knowledge of Africa and Zambia also poses a challenge to one cultural aspect of Black Power politics: namely, Black Americans’ celebration of African culture by adopting African names, clothes, and arts. Delphine discovers that some of what she learns from Black Power politics may be a distortion of the cultures of Black people across the world, and this realization undercuts her faith in her mother and in the lessons she learned in Oakland.
Because Cecile is absent from her life, Delphine feels a certain sense of shame, and her embarrassment about her mother’s absence is intensified by the bullying that she experiences at school. The “your mama” jokes are particularly hurtful to Delphine because they hit too close to home. That burden, coupled with shifting dynamics between boys and girls and between Delphine and her female friends, leaves Delphine feeling uneasy about her own identity. Only some of these external and internal conflicts reach resolution in the last section of the book.
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By Rita Williams-Garcia