56 pages 1 hour read

Penitence

Fiction | Novel | Adult | Published in 2025

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Chapters 19-23Chapter Summaries & Analyses

Chapter 19 Summary: “2001”

Content Warning: This section of the guide includes discussion of death, child death, pregnancy termination, illness, and mental illness. 

It is 2001. Angie’s father, Roberto, dies in August. She returns to New York. She and Julian struggle to re-establish a routine. She dislikes the city more than she used to, and she seems distant to Julian. He is sure that something is wrong, in addition to the loss of her father, but he cannot put his finger on it. 

On September 11, David leaves for work but is interrupted: Two commercial planes have flown into the Twin Towers. All of Lower Manhattan must be evacuated. On his way home, he stops at a bar. Hours later, after talking with her mother and David, Angie finds him there.

In the days and weeks that follow, the two remain glued to the news, but Angie also has time to reflect. Julian is obsessed with righting the wrongs of the world and fixing the broken justice system. He thinks that the art world is pretentious. She is not sure she wants to remain in the art world, and she knows she wants to leave New York. She begins preparing to leave both the city and Julian. He is so engrossed in his work that he doesn’t notice. Angie, too, is distracted, so distracted that she packs her birth control pills and stops taking them. The timing is wrong for it to be David’s. She decides to have an abortion. She leaves Julian for good.

Chapter 20 Summary: “April 2017”

Back in 2017, Julian and Martine meet with Gil, the DA. They rehash many of the same arguments they’ve made to one another and then finally arrive at a plea deal. Nora will plead guilty to second-degree murder. She will serve a 15-year sentence and will be incarcerated in a juvenile facility until she turns 21, but she will be eligible for parole in seven years. 

When Julian and Martine relate the news to Angie and David, David is upset. He does not feel that the deal is fair and accuses Julian of not working hard enough on the case. Julian is stunned. To him, the plea deal is further proof of bias in the justice system: He has worked many similar cases, almost all of which involved Black or brown perpetrators. Their sentences were not so lenient. He knows that Nora’s sentence is lenient, that she was given fewer years behind bars because of her race and because she was middle class. 

David is silent for a moment and then changes the direction of the conversation. He tells Julian that both he and Angie were tested to see if they were carriers for the Huntington’s gene. They are not. This mystified the doctors, who wanted to study Nico. They thought that his genes had mutated, which would have been incredibly rare. There is a strange gleam in his eye as he is speaking. Angie goes rigid. Julian remembers sending Angie a letter apologizing for his behavior after they broke up. He sent it to the restaurant. He wonders now if David intercepted it.

He also reflects on his strange symptoms as of late: He has had tremors and joint pain. He has felt depressed. He thought that he’d done the math and that Nico couldn’t have been his. He researches Huntington’s disease, now sure that his odd symptoms are signs that he is also a carrier. He learns that for people his age, there are medications and outcomes are better: Nico would have only had 10 to 15 years at most. Julian might live to be 75. Rage fills him, rage toward Angie but also toward David, who must have known for years that Nico was not his. Days later, Nora is sentenced. The judge accepts the plea deal, and she is transferred to a longer-term detention facility.

Chapter 21 Summary: “May 2017”

David moves out. He rents a small house down the valley that is closer to Nora and closer to a job he is interviewing for. The pay will be no better, but he will not have to carry a gun. 

David had intercepted Julian’s letter all those years ago, and he’d always known that Nico wasn’t his. He had no idea Angie had been seeing, let alone living with a man, but she’d kept her relationship with Julian a secret from everyone, so there was no reason for him to have known that. He stayed with her, and he loved Nico, but he had always loved Nora more. 

Neither partner is sure what the future holds for them. Angie moves into her gallery: She will have studio space, show her work, host other artists, and hopes to show the work of incarcerated juveniles. She has petitioned the state to allow her to teach art in the detention center. 

Years ago, Angie had been unable to go through with the abortion. She didn’t tell either man the truth, because she didn’t want to hurt them. She lied about the due date to David and then claimed to everyone else that the baby was premature. She’d sought out midwives instead of doctors, had limited the number of ultrasounds she’d gotten, and made sure that David wasn’t at the appointments. She avoided anyone who could have contradicted the due date she’d told David. She’d given birth in a birthing center, hoping to avoid the scrutiny of hospital staff and doctors. The doula remarked on the baby’s healthy weight, given Angie’s account of the due date. Angie was sure that the doula knew she was lying, but she didn’t care. 

After David leaves, she opens a gallery and café in the former DeLuca space. She has to re-mortgage the building, and there is no guarantee that she’ll succeed, but she’s hopeful. 

One day, Julian comes to see her. His hands are shaking. She asks why, and he tells her that he has late-onset Huntington’s disease. He is angry that she, knowing how badly he wanted children, kept Nico from him. He’s angry that she put him in the unethical position of defending his own son’s killer. He tells her that he’s always felt guilty about Diana’s death, but he no longer does. He says that they are “even,” and then he leaves. 

Chapter 22 Summary: “May 2017”

Martine is now officially retired and eagerly anticipating the birth of her grandchild. She can sense that something is wrong with Julian, but he does not open up to her even when she asks. He claims to still be upset about the tragedy of the Sheehan case, but Martine is sure that there is more to it than that. 

Nora’s motive remains a mystery. Martine’s best guess is that it was complicated: Nora was dealing with a mental health condition and had isolated herself from everyone in her friend group. She and Nico were close, and she might have thought that she was sparing him a terrible death, one of which he was particularly afraid. She might have had some kind of psychotic break. Ultimately, they may never know, and Martine realizes that much of life is unknown. People try to make sense of the unknowable, with only varying degrees of success.

Chapter 23 Summary: “May 2017”

It is Nora’s birthday. She is still incarcerated with Jacqueline. She does not truly understand why she shot Nico, even though Jacqueline tries to talk to her about it. She knows that she didn’t want him to go through the degenerative lead-up to death that he was so terrified about, but her feelings are so jumbled, and now it seems terrible that by shooting him, she took away the chance for him to live more of his life. 

Angie visits, but David is unable to: He has a final interview for the new position he hopes to obtain. Nora is disappointed but sits quietly with her mother and paints. Angie tells Nora that she knows Nora misses Nico and that she loved him. She also tells Nora that although she too misses Nico and loved him, she also loves and misses Nora. She tells her daughter that she forgives her.

Chapters 19-23 Analysis

Angie’s secret comes out in this last set of chapters, and the results are transformative. David has always known that Nico was Julian’s son, but he reveals the truth now to Julian: He and Angie had genetic testing done after Nico’s Huntington’s diagnosis, which revealed that neither of them carried the gene that causes the disorder. The doctors were mystified and wanted to study him to figure out how his cells had mutated. But, of course, Julian is a carrier. He has also, unbeknownst to himself, been experiencing its early symptoms. Angie is horrified that David would out her to Julian. David appears happy to have wounded Julian, a man he has long nursed a secret hatred for, and Julian is initially angry and appalled. The event does become a catalyst for Julian: He realizes that he is not the only person who has committed an error in judgment. In a moment that echoes his mother’s response to Livia’s death, Julian realizes that everyone is guilty of something. Because of this, he can find compassion and forgiveness for himself: He knows that he is just one of many people who made a mistake as a youth. He tells all of this to Angie, and for the first time in decades, he can leave the past behind. Julian’s final character arc reflects the theme of The Complex Nature of Guilt and Forgiveness

The end of the novel sees resolutions for the other characters as well: David moves out of the house, and it is unclear whether he will patch up his relationship with Angie. That isn’t his primary focus, however. David, who was denied the opportunity to choose whether he would stay with Angie or raise another man’s child, now gets to make his own choices: He finds a house in an area he has long preferred to Lodgepole. He applies for a new job that will not require him to carry a firearm. He continues to focus on Nora, visiting her frequently and providing her with the love and support that she needs. He now, for the first time in the novel, has real agency. 

Nora also receives some closure. Julian negotiates a shorter sentence for her. He is happy with this outcome, although he does observe that Nora was likely shown leniency because of her race and her class position, further developing Bias and Dysfunction in the Juvenile Justice System. The novel has subtly engaged with the 1990s-era crime bill that labeled some offenders, even juveniles, “super-predators” and subjected them to harsh sentences. Julian knows that this bill influenced the judicial system for decades to come and that Nora was able to escape its more punitive measures because she had the resources to fight it. Nora receives a 15-year sentence, and she begins to serve it with her friend, Jacqueline. The novel does not entirely explain the shooting, but Nora herself wonders if she might have been trying to show misguided mercy to her brother: He saw first-hand what a degenerative disorder looked like as he watched Livia slowly succumb to Alzheimer’s, and he was terrified that he was going to have a similar fate. Nora knows that she must come to terms with her actions, including her journey with The Complex Nature of Guilt and Forgiveness. With both of her parents now caring for her, she is better poised to commit to her well-being. As the narrative ends, she appears to be on the road to rehabilitation.

Nora’s well-being is, in part, the product of her mother’s emotional growth. In the wake of Angie’s secret coming out, she has had to confront a more complete picture of herself as an individual. She hadn’t been able to forgive Nora and remained resentful toward David because she saw them as guilty. She now realizes that everyone is guilty at some point in their lives and that people deserve forgiveness because she deserves forgiveness: Everyone who is in the position to forgive will one day be in the position to ask for forgiveness. Forgiveness becomes for Angie “a gift,” “nothing like she thought it would be” (307). Angie’s ability to forgive extends beyond her relationship with Nora. She opens an art café in town and makes steps to begin teaching art to juvenile inmates. She realizes that person-to-person forgiveness and the kind of rehabilitation that characterizes juvenile justice reform are not so different and that she is committed to pursuing both.

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