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The group that approaches Zane and the Crims consists of a couple of villagers—at least that is what Tally assumes, given that they are wearing animal skins—and some Pretties who are from another city. Suddenly, the ground seems to rumble as Tally catches the sight of a helicopter coming in for a landing. These are the rangers that Tally has heard about, also from another city, one that ignores the Smokies rather than attacking them. She met some rangers once when she spent time in the Old Smoke. They are more concerned with the environment than with city politics.
She watches as Zane, his group, and the others who have just arrived board the helicopter. Tally wonders if Shay made it this far—the position-finder is at its end, so the New Smoke must be nearby—and decides to hitch a ride on the helicopter’s undercarriage.
Tally’s attempts to hang on to the helicopter are fraught with danger, with her hoverboard spinning in the downdraft of the blades. She uses her crash bracelets—magnetized to adhere to metal—to cling to the helicopter’s underside as her hoverboard breaks apart. Her hands have been burned by the hoverboard’s demise, but she can still see the scar on her palm from cutting.
The helicopter arrives at what Tally assumes is the New Smoke. She is appalled to see that there are signs of building beyond the perimeter of the settlement. As the helicopter lands, and she gets a better look at her surroundings, she realizes that the New Smoke is actually a city.
Tally knows she must separate herself from the craft before it lands. She cannot be caught, and she does not want to be crushed by the machine. While her modified bones are unbreakable, Tally’s body is banged up by the crash landing. She is also surprised that none of the townspeople seem to be startled by her sudden appearance—or even her Special appearance, in general. Her sharpened teeth, spinning tattoos, and claw-like nails draw no comment or second look. She notices that the cosmetic surgery in this city skews toward the dramatic; each individual seems to sport a different look, some as extreme as her Special features. She does not stand out here.
Finally, Tally approaches a young woman and asks her where the party is. Tally assumes that everyone has undergone temporary “surge” (surgery) in order to look standout for a momentous occasion. The woman laughs and knows that Tally is new to town. She tells Tally that all the “newbies” will be up on Overlook mountain that evening. She also informs Tally that Diego is the name of the city.
Tally waits to see the runaways disembarking from the helicopter, ensuring that Zane is fine. The group is being ushered toward a hospital, where Tally assumes that doctors will examine them—and perhaps even remove the lesions from the Pretty surgery. She also realizes that Diego’s citizens do not appear to have the lesions; they all speak their minds openly. The gravity of the New Smoke’s reach becomes clearer.
Tally continues to be struck by the differences she finds in Diego. No river divides the city, as it does in her town, so Uglies and Pretties actually interact with each other. She begins to think of the place as “Random Town,” because everyone is free to act how they want and to say what they think. She finds the atmosphere volatile.
She goes to the Overlook that evening, hoping to see Zane and the others. She hopes that the doctors of Diego can help repair Zane fully and that he will see how much she has changed since traveling through the wild. However, she does not see Zane. Instead, she runs into Fausto, the Cutter who was kidnapped by David and the Smokies.
Tally’s conversation with Fausto reveals that Diego has accepted the Smokies into its city, along with the distribution of the nano-eating pills. It appears that Diego never indiscriminately applied the brain alteration along with its cosmetic surgeries. In addition, there are no Specials in Diego. Fausto also tells her that the city is expanding, hence the signs of construction Tally saw when she first landed in Diego. Tally is appalled. This kind of expansion—into the wild, no less—is anathema to everything she has been taught. Cities keep a tight control on their populations. Meanwhile, Fausto explains that Diego has been accepting runaways from other cities, as well as the Smokies, so its population is growing.
Finally, Fausto reveals the most shocking news of all: There is a cure for being Special, and he has volunteered to take it. Tally suddenly realizes that Fausto is no longer a Cutter. He speaks of Special Circumstances as if they are dangerous and then lunges at Tally, trying to prick her with the needle that holds the cure. She escapes—she does not want to be cured—and leaps off the side of the mountain.
Using her crash bracelets, she is able to slow her fall with the city’s magnetic grid, though she still damages her wrists in the process. She cannot yet use her hands. Tally wonders if Shay has also been captured and, worse, cured. She hides in a tree as her body works to repair itself, hearing the whir of hoverboards as the authorities search for her. Unfortunately, one of the hoverboards stops short near her tree. Tally realizes that her sneak suit has been ripped; they can see the smudge of body heat on their infrared. She hears David’s voice, then the Smokies flee as heavy footsteps come rushing Tally’s way. As she tries to adjust her suit, she loses her balance and falls—at the feet of Diego’s wardens.
Tally wakes up imprisoned in a padded cell. A voice informs her that she will have to submit to extensive surgery to reverse her Special modifications before she can be released. The doctors will not reverse the brain alterations without her consent, the voice assures her, but she will not be freed until the “morphological violations” are corrected. This is in accordance with Diego’s law that possibly lethal weapons cannot be permitted within the city.
The voice tries to reassure her that her brain will, with time and counseling, become reconciled to her more normal body. Tally resists; she does not want decisions made for her yet again. As gas seeps into the room, Tally begins to fall asleep, but not before setting the internal alarm she has as one of her Special abilities.
Tally wakes up feeling relaxed. She feels like a child again, comfortable in bed. Somewhere far off, though, she keeps hearing a ping that brings her out of her sleep. She also hears the voices of the doctors preparing her for surgery. Currently, she is only worried about turning off the annoying alarm. She wonders what she was supposed to be reminding herself of doing. Instead, she turns on her “skintenna feed,” which connects her to the other Cutters. Immediately, she hears Shay’s voice. Shay tells her to be ready; they are coming to release her before the doctors can despecialize her.
Tally awakens again as Shay gives her a shot of adrenaline. The doctors are scattered, unconscious, along the ward. Tally and Shay work furiously to release her from the surgical tank in which she is entombed. Once she is released, she asks why Shay came for her, as they parted on bad terms. Shay insists that she gets angry at Tally sometimes, but she can never quite hate her. She also emphasizes that they must leave quickly.
The alarm sounds to evacuate the hospital, and Tally and Shay flee to the roof. Town Hall is next door, and Tally assumes they will jump, but Shay pauses. Suddenly, it occurs to Tally that Shay has become like Fausto. The other Cutters move in—they have all been cured—and Tally is again trapped. Shay shouts at her to stop struggling; they are not going to inject her with the cure. They need Tally to stay Special because something larger is on the horizon: The attack on the Armory has been interpreted as a strike by another city, Diego in particular. Tally and Shay have inadvertently started a war, the first in centuries. Dr. Cable now runs their city, and she is planning to invade Diego. Shay needs Tally to stay Special so they can return home and stop the war.
This section brings the impact of Rusty wars and ecological collapse closer to mind for Tally, who is faced with lifestyles and populaces opposite to her own. She recognizes how Freedom and Responsibility should go hand-in-hand, yet Diego is shirking this duty. The insurgence is gaining strength, as Tally immediately realizes when Zane’s group is joined by another set of runaways from a different city: “The Smokies had been spreading their little rebellion far and wide” (191). Not only does she encounter other cities’ citizens among the Crims; she then discovers a whole new city that operates in an antithetical way to what she’s used to. While this may have opened her up to the potential benefits of free thought and diversity, she instead views it as The Price of Losing Control. This is emphasized by how Diego appears to be expanding into the wild due to its growing population. This is the exact ecological infringement that her own city’s system seeks to avoid, which is how they justify their authoritarian control.
When Tally arrives in Diego, it becomes more evident that not only is it awash in individual freedom—“letting everyone look the way they wanted” (210)—but that it has always been more tolerant of differences. Tally’s city is unique in its unwavering adherence to uniformity and control. This might be due to the lack of extreme social stratification that Tally observes in Diego: The Uglies play together with the Pretties, and the cosmetic surgery reveals a wide range of personal expression rather than a singular conformist style. Tally is discombobulated by this variety, bothered by these expressions of individuality and freedom of speech: “It was overwhelming, almost like the way the Rusties had lived” (213). This becomes problematic because, as Tally knows (and as her city’s teachings emphasize), the Rusties could not be trusted to keep the peace and to protect the environment.
She is also discomfited by the simple fact that this very variety renders her Special-ness less distinctive: “Everyone was so different that her own special face practically faded into…nothing” (212). This disrupts not only her expectations—she has become accustomed to being feared and obeyed—but also her understanding of her own identity. When she attends the gathering on Overlook, she is bothered when a young man asks about her appearance, specifically her facial tattoos and sharp teeth, “as if she was trying it on, like some new hairstyle” (215). This triggers her conflict of Appearances Versus Autonomy. While she has only been a Special for a short while, the transformation is more than merely skin deep; being Special and the appearance attached to it has become fundamental to Tally’s sense of self. She is thus offended by the idea that her appearance would relate to a sense of autonomy and freedom, as it does for Diego citizens, rather than to a fixed and inherent superiority.
Indeed, as Tally learns shortly thereafter, she is considered an unauthorized entity outside of her own city enclave, too dangerous to exist. Tally’s city has weaponized her, a practice that Diego finds unacceptable—her very person is criminalized. This criminalization of Tally’s body also signifies the ongoing objectification of her character: She is an object to be used by others for their own purposes, such as Dr. Cable in her home city and, now, the authorities of the New System in Diego. Tally cries, “How can a person be illegal?” (236). As enlightened as Diego might appear in comparison to Tally’s city, the voice that tells her that she must be “corrected” of her “morphological violations” is again robbing her of her autonomy. This allows her to understand how dictating the use of one’s body—as her own city does with its citizens when forcing them to undergo surgeries and restrict their ability to think—is an objective wrong, no matter the circumstances.
Finally, Tally also loses her connection to the Cutters in these chapters. When she first encounters Fausto, she feels relief, as the sense “of belonging to something” floods back into her (217). She is almost immediately disappointed upon learning that Fausto is “not special anymore” (221)—and neither is Shay, nor any of the others. Part 2 ends with Tally as the last remaining Cutter, the only potentially secret weapon in the war that has already begun. This recalls Tally’s sense of isolation from the beginning of the novel, wherein she belonged to something yet still felt apart from them; now, her alienation has been reinforced, forcing her yet again to reassess her identity.
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By Scott Westerfeld