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After Sybil’s suicide attempt, Dr. Wilbur reluctantly decides to treat Sybil with sodium pentothal, a barbiturate sometimes used as anesthetic that can also calm anxiety and induce drowsiness, which was used, according to Schreiber, as a hypnotic. Using pentothal in combination with psychoanalysis, she hoped, would make it possible for Sybil to tolerate the pain associated with recalling and discharging her still-buried trauma.
The effects of pentothal last 56 to 70 hours, and give Sybil a sense of complete freedom and wellness, a feeling she’s never had before. On the days after the treatment, having discharged some of her traumatic memories while “asleep,” under the influence of pentothal, she feels euphoria. Dr. Wilbur then presents Sybil with the memories that poured out of her while she was “asleep,” and they begin to filter into her normal awareness. The most powerful feeling unleashed by the pentothal is a deep-seated hatred of her mother.
Though the pain of the memories sometimes provokes even more regression into other personalities, glimmers of integration begin to show during treatment with sodium pentothal. One Friday night, in the spring of 1958, Sybil, thinking about the previous day, which was blank to her, suddenly remembers what happened. The sensation is odd: she doesn’t remember what she did as Sybil, but what she “had done as Mary and Sybil Ann” (371). She is able to envision these personalities as people standing beside her, who she can talk to, and from whom she can seek advice. She begins to recall memories from the large chunks of time in which she was Peggy Lou.
By the end of 1958, Dr. Wilbur becomes concerned about Sybil’s dependence on sodium pentothal, and decides that the benefits of the drug, though it has produced significant advances, do not outweigh the costs. Sybil is despairing about the loss of the drug, and, because the doctor came to Sybil’s apartment to administer it, despairing about what she feels is also the loss of her doctor as a friend. Then she is enraged, feeling that Dr. Wilbur is as omnipotent as Hattie once was, that the loss of the pentothal that helped her so much was cruel and irrational punishment.
In 1959, several of the selves attempt to take Sybil’s future into their own hands. Mary, expressing a desire for privacy that Sybil has felt throughout her life, since the days of sleeping in her parents’ room as a child, puts a down payment on a house in upstate New York. Sybil discovers Mary’s plan when her bank account is overdrawn. Dr. Wilbur finds Sybil a lawyer to extricate her from Mary’s obligation on the basis of mental incompetence.
Sybil is invited to visit a friend in Denver over the summer, and seriously considers going before finally turning the invitation down. This disappointment enrages Peggy Lou, as she considers it a breach of a contract Dr. Wilbur brokered between Sybil and herself. Peggy Lou had agreed not to go off on unexpected trips on her own if Sybil agreed to sometimes take her places. Though Peggy Lou had always existed solely to carry Sybil’s anger, and had never had any desire to hold onto control of the body once the anger dissipated, this time Peggy Lou decides she is going to take permanent control and make a complete break with Sybil. She makes arrangements to live, disguised, in the South. Her plan is interrupted when she’s found by Dr. Wilbur at Grand Central Station, and she’s soothed into abandoning it.
Meanwhile, Vanessa, thinking about Sybil’s asceticism and feeling badly that she had so little money to indulge even the smallest pleasures, decides that she will be the breadwinner. She gets a job at a laundromat for two months, using the extra money to buy new clothes, theater tickets, before Sybil decides that it interferes too much with the demands of her classes.
Marcia seeks recognition and validation: she writes an original pop song that she sends out to publishers, and an essay on the abuse a loving mother can inflict on children that she sends to Parents magazine. She insists, through Dr. Wilbur, that she be allowed to have her own name on the mailbox at their apartment, in addition to Sybil’s and Teddy’s.
In August 1959, Sybil writes a letter to Dr. Wilbur and tells her that she does not have multiple personalities. She writes:
I do not have any multiple personalities. I don’t even have a ‘double’ to help me out…The dissociations are not the problem because they do not actually exist, but there is something wrong or I would not resort to pretending to be like that (389).
In the letter, Sybil writes that the extreme things she told Dr. Wilbur about her mother were not true, that she was overprotective, and interfered with Sybil’s music and drawing, but that they did so out of lack of understanding. They loved her and she had no reason to complain–growing up “odd” was her own fault.
After writing the letter, Sybil “loses” two days and then writes another letter, admitting that she wrote the letter because she wanted to show Dr. Wilbur that she was composed and cool, that she didn’t need the doctor, and because it would be easier if her multiple personalities were a ruse.
As Sybil continues to struggle with the different demands of the personalities inside her, her relationship with Teddy, who she has relied on to report the actions of the others and mediate between them, begins to fray.
Teddy is disconcerted by Peggy Lou’s assertiveness and Marcia’s depressions, and Sybil begins to feel alienated by her roommate’s discomfort. Their tensions come to a head in the late summer of 1959, when Teddy tells Sybil that Dr. Wilbur is “exploiting [her] to satisfy her own personal needs” (398). Sybil yells that she does not want to hear that, and Teddy snaps that she never wants to hear the truth. Peggy Lou takes over and hides under a large dresser, refusing to come out while “that girl” is still there. A few months later, Teddy moves out.
In these chapters, the accelerated progress in uncovering traumas via using the sodium pentothal also complicates and intensifies Sybil’s relationship to her other selves. Her personalities’ bids for freedom emphasize how deeply they are in conflict with one another. The restrictions they put on one another by virtue of their conflicting desires evidence feelings of resentment toward each other that mirror the whole Sybil’s resentment toward the restrictions her parents and her religion put on her. Peggy Lou resents that Sybil won’t let her travel, and, more importantly, resents that Sybil won’t honor the contract made with her; in other words, she resents that Sybil still claims the power of control entirely for herself. Marcia resents Sybil’s attempts to disguise her, her refusal to let her have her name on the mailbox, and seeks artistic fame and recognition through her pop song and essay. At the same time, it’s clear that the personalities’ bids for independence provide care for Sybil that she won’t give herself, and that part of the growing relationship between the selves includes sympathy and love.
These chapters also raise important doubts about the veracity of Sybil’s and Dr. Wilbur’s accounts of her illness and the analysis: namely, the letter Schreiber reprints in which Sybil claims she made up her multiple personalities, and Teddy’s elusive assertion that Dr. Wilbur is only using Sybil for her own purposes. Schreiber’s tone in describing these events can be characterized as objective remove. However, because Schreiber includes these events without probing their significance at all, her tone of objective remove is somewhat deceptive. It is arguably more accurate to say her tone minimizes or glosses over the significance of these events, such as the conflict with Sybil’s roommate, Teddy.
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