42 pages • 1 hour read
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Totalitarianism is the shadow that lies over all the characters in this book, even many years after Haiti’s totalitarian era, and even after many of them immigrate to the United States. Although the text surveys Haitian characters with varied backstories and present circumstances, the totalitarian regime affected them all, leaving behind a variety of scars, whether physical or emotional or both.
While many novels about totalitarianism are written as dystopias, portraying the daily lives of those under a repressive regime, Danticat’s novel explores how totalitarianism can be embodied by perpetrators and victims and continue to oppress subsequent generations even after the regime has fallen. This anguish is seen transcending generational lines through characters like Ka and Aline, who are both confronted with the reality of the Haitian regime and the dew breakers, and who both turn to creative outlets (sculpture and writing, respectively) to process that reality and their response to it.
Some characters, like Ka’s father, were corrupted by participating in the violent acts of the totalitarian regime. His scars are apparent on his physical body, with one that slashes across his face, and in his behavior and demeanor, as he struggles with the weight of his remorse while spinning a web of lies to conceal his culpability. That Ka’s father has kept his involvement in the regime secret from Ka until the events of Part 1, hiding the truth behind his scars and life history, reveals the depth of his guilt. However, his confession suggests that the truth is crucial to heal and move forward. Hiding such crimes is futile and possibly even destructive, as it stalls and aggravates the process of confrontation, reconciliation, and healing.
In a way, Michel serves as a foil to Ka’s father. Ka’s father spends years avoiding his past as a perpetrator of the totalitarian regime, and this choice spawns additional consequences, throwing Ka into a spiral of uncertainty upon learning the truth. Michel, however, opts to record his experiences in a memoir for his unborn son. Recording these events helps Michel process and acknowledge them, and it ensures his son will know his heritage. Armed with that truth, perhaps Michel’s son will avoid the same internal conflict that afflicts others in the novel.
Other characters, like Beatrice, are haunted by the terrors inflicted on them in the past. She is convinced that the same dew breaker who had her feet whipped as punishment in Haiti has followed her to New York. Here the dew breaker is not literally Ka’s father but more an avatar of the Haitian regime and the many individuals who enacted and enforced its policies. That this haunting figure finds Beatrice no matter where or how many times she moves further demonstrates how past hardship shadows and informs our lives even years later. Whether this dew breaker is real or a figment of Beatrice’s imagination is inconsequential, because the ways totalitarianism disrupted her life are very real and permanent. Beatrice is not the only character haunted by the past: Anne is still burdened by the death of her stepbrother, and she fears her husband will be recognized and arrested for his crimes. The fact that he, a dew breaker of the regime, killed her stepbrother, a preacher and a civilian, haunts their relationship (even though this truth remains unspoken).
Isolation and separation pervade the novel. Characters find themselves isolated because of their pasts, their emotions, and their present circumstances. Ka’s father lives in a certain kind of isolation, as he constructs his new life based on lies, sequestering the truth within himself.
The novel also explores the isolation and separation that stems from immigration, especially how they fracture communities, erode family relationships, and alienate individuals from their culture and society. For example, Part 2 emphasizes the wife’s isolation upon moving to America. She is so insulated from her new environment that even as violence erupts in the Haitian American community, she remains in unaware of it and the complex dynamics between Haitian American culture and American culture. This isolation is compounded by the fact that she speaks only Creole, not English, and so she stays at home while her husband works two jobs, which introduces a new kind of separation even after their reunion.
There’s even a sense of separation in the book’s structure and organization. Each of these nine stores contains a distinct and complete narrative, and each can be read on its own. This structure reflects how even shared cultural trauma affects every person differently, and how we must process that trauma as individuals. However, communication and community can expand our understanding of the truth, which can promote healing. Likewise, reading each part in consideration of the whole text reveals connections in character relationships, plot points, themes, and other literary elements, leading to a more complete understanding of the text.
Danticat wants us to understand that the suffering of women is common in totalitarian regimes and that these regimes cause significant social fragmentation. Beatrice and Anne, for example, are both bereaved by Haiti’s horrible past. Nadine, meanwhile, is not directly affected by the regime, but she suffers due to the breakup of Haitian community and Haitian families caused by the regime. This fracturing destabilizes her family and her personal identity, and it leaves her feeling powerless, “the dread of being voiceless hitting her anew each day” (66). She even has the sense “that she herself was slowly forgetting […] what her own voice used to sound like” (66), which demonstrates the depth of her pain and fractured sense of self.
On the other hand, Danticat also portrays women as playing a reconstructive role, often in community with one another. Aline and Ka both plan to work to portray the truth, the former through journalism and the latter through art, two pursuits that require a strong voice and a well-developed point of view. In sharing her story with Aline, Beatrice gives the truth a voice and ensures it won’t be forgotten. Anne, while traumatized, works for redemption for her husband. The women studying English as a second language share their stories of loss and thereby work toward a better future, finding understanding and release in the pain that bonds them together. Despite her scarred hands and blind eyes, Estina serves as a midwife in the surrounding villages, ensuring that new lives are born safely and in good health, which suggests renewal as well as strength in community.
Danticat depicts women as victims of the malevolent patriarchal force of totalitarianism, acknowledging the various ways in which they were oppressed and beaten down. However, she also portrays them playing a crucial role in healing the destruction caused by this force.
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By Edwidge Danticat