75 pages 2 hours read

The Games Gods Play

Fiction | Novel | Adult | Published in 2024

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Part 3Chapter Summaries & Analyses

Part 3: “Let the Games Begin”

Part 3, Chapter 25 Summary: “Poseidon’s Labor”

As she thinks on Hades’s last words, Lyra is transported into a water-filled cave. The water ebbs, and she realizes she and the other champions are each tied to a post. Poseidon arrives and welcomes them to Fingal’s Cave in Scotland. He explains that though the Labor is not timed, they will face a “bigger” issue as time passes. He leaves as Lyra thinks the water rises.

Part 3, Chapter 26 Summary: “Figure It Out”

Neve, Ares’s champion, corrects Lyra’s assumption: The tide is receding. Lyra sees Dex, Athena’s champion, using the water to flip around and climb his post to free himself and copies him. She tells the others to follow suit, then takes hold of her axe and uses it to free herself from her ropes. She tells the others she’ll free them, but Neve advises the others not to listen to her. Lyra swims and frees those who accept her help. By the time she reaches Isabel, Poseidon’s champion, the tide is receding too quickly. She offers her wire cutters so that they can free the others more efficiently. When Lyra frees Dex, however, he steals her axe.

Part 3, Chapter 27 Summary: “The Warning Stones”

Dex attacks Lyra. She dodges, and he swims away. They are warned to weep by a carving on the wall, and moments later, others are screaming to get out of the water. When she reaches the ledge, Samuel, Zeus’s champion, pulls her out as a tentacle tries to attack them. Samuel protects Lyra.

Part 3, Chapter 28 Summary: “The Gods Love Monsters”

With the water receded, Lyra and Samuel discover eggs beneath the carving. The eggs begin to hatch, and the newborn monsters attack them. Samuel suddenly swings a hand overhead and connects with an invisible Dex, who’d been using the Helm of Darkness, a relic, to escape the cave. Samuel takes Lyra’s axe from Dex and hands it back to her. As the only one with a weapon, Lyra volunteers to stop the monsters attacking Isabel and Zai, Hermes’s champion. As the monsters attack, Lyra can’t think of a way to attack them. She decides to use the dragon teeth and swims to the bottom of the grotto for soil. After planting a few, she faces off with the monsters in the water. Just as she’s about to be attacked, a bone soldier appears and cuts off the monster’s head.

Part 3, Chapter 29 Summary: “Dragon Teeth”

Lyra resurfaces and directs the bone soldiers to kill the monsters while Isabel and Zai join her and Samuel on some rocks. Lyra notices Isabel is bleeding from two scratch wounds. Other champions, Hera’s Amir and Demeter’s Diego, have figured out how to stop the eggs from hatching by using their soaked clothes to keep the eggs wet. Just as Lyra is feeling relieved, Isabel screams in agony as the wounds on her leg become holes and turn her body to ash. She dies in Lyra’s arms. Zeus appears and congratulates them on completing their first Labor, but the champions struggle with Isabel’s death. He awards Diego with the Labor’s prize.

Part 3, Chapter 30 Summary: “When Hades Gets Angry”

Lyra is teleported back to Hades’s house in Olympus. Hades berates her for using dragon teeth and for having her axe, which he reveals is a twin of his own gifted to him by Odin. He comments on how no one else used their gifts, and Lyra is overwhelmed. She drops to the ground and laughs hysterically. She keeps herself from crying, and he tries to comfort her when she speaks of Isabel’s death. He promises to give Isabel a good spot in Elysium.

Part 3, Chapter 31 Summary: “To Know Your Enemy”

Lyra asks Hades if he’s affected by her curse. He avoids the question and simply states that he needs her. Lyra assumes the boundaries of their relationship are defined as god and champion and nothing more despite his kindness. She accepts his offer for Isabel and rails against how the gods think of humans as disposable. Hades presents himself as an exception, as his role as King of the Underworld makes every human his subject when they die. Hades needs to leave and tells her to stay in the house, but Lyra is adamant about finding allies. Hades concedes: Lyra goes out to explore Olympus.

Part 3, Chapter 32 Summary: “The Strongest Power”

Lyra walks around and finds a herd of pegasi. She contemplates Isabel’s death while Dex approaches her. As he confronts her, however, Aphrodite appears and uses her enthrallment spell to send him away. Aphrodite asks if Lyra would’ve had the wherewithal to fight Dex. Lyra confirms she would. Aphrodite offers to make her forget her grief for a time, but Lyra wants to feel the sadness. They discuss how people view Aphrodite, and Lyra claims love might be the strongest of all powers, for which Aphrodite tells her that her Labor will involve the person Lyra loves most in the world. She warns Lyra that Hades is the most ruthless of the gods when he wants something.

Part 3, Chapter 33 Summary: “Enemies & Allies”

As she explores, Lyra stops at Dionysus’s bar, Bacchus’ Place, where she finds Poseidon, drunk and raging against his loss. The bartender, Lethe, tells Lyra to leave before Poseidon notices her, but it’s too late.

Part 3, Chapter 34 Summary: “Zai Aridam”

Lyra leaves and visits the temple of Hermes. She finds Zai praying, and he assumes she wants to kill him. Just as she’s about to propose a partnership, Zai’s father, Mathias—the previous winner of the Crucible—arrives. Lyra hides while Mathias berates his son for being weak for relying on her. When Zai claims his father needs him to stay in Olympus, Mathias strikes him and leaves. Lyra emerges and makes her offer: If he helps her with the cerebral Labors, she will help him with the physical ones since he has health issues. Zai has no time to answer, though, because Poseidon arrives and bellows for Lyra.

Part 3, Chapter 35 Summary: “Kiss Me Goodbye”

Lyra looks to run away, and Zai directs her. When his allergies require the use of an inhaler, however, the sound attracts Poseidon, and they split up. Poseidon catches up to Lyra, and he blames her for Isabel’s death. He promises to kill her, but Lyra reminds him how foolish it would be to threaten the god of death’s champion. She headbutts him and escapes. Just as she is about to eat a pomegranate seed, Hades appears, furious. He notices that Lyra is bleeding from Poseidon’s attack. Lyra stops him from killing Poseidon and convinces him to let him go. They teleport back to Hades’s house in Olympus, and he kisses her. When he regains his senses, he disappears, leaving Lyra full of regret for thinking he was beginning to see her as more than his champion.

Part 3, Chapter 36 Summary: “Hermes’ Labor”

Hades wakes Lyra in the morning before the next Labor, but she is teleported before she can put on her tactical vest. She reappears on a plank on the edge of a mountain wall. Hermes arrives and explains that for his Labor, they will need to solve a puzzle. Every champion can ask three questions. When they ask a question, their plank grows by six inches, and the other players lose an inch. Once there is a winner, the remaining champions will need to scale down the mountain. With no shoes, Lyra knows she will die if she doesn’t solve the puzzle first.

Part 3, Chapter 37 Summary: “Walk the Plank”

The three Fates, or Moirai, appear, and Hermes explains that while they typically handle every being’s fate, in the Labor, one of them only speaks the truth, one always lies, and the third may answer either way. The puzzle is to determine which role is assigned to which Fate. Hermes leaves, and Lyra notices Dex plotting with others from the Strength and Mind virtues. Soon, Lyra’s plank shortens, and she must grip the mountain to avoid falling. She asks a question of one of the Fates to regain six inches, but she is otherwise lost as to what to do. Then, someone falls from their plank.

Part 3, Chapter 38 Summary: “Riddle Me This”

Lyra summons her owl tattoo to contact Zai and tells him that she offers her questions for him to use if he, after gaining Hermes’s winged shoes—or Talaria—as a prize, flies her down to the ground. Zai agrees and gives her a question to ask one of the Fates. With her answer, Zai solves the puzzle and keeps his promise. They discover the one who fell was Amir, Hera’s champion. The Daemones are angry with Lyra because she has used so many gifts, but Lyra worries about whether Hades will be angry because she lost another Labor.

Part 3, Chapter 39 Summary: “Can I Really Trust This?”

Lyra recounts to Zai what happened with Poseidon. They plan to meet later to strategize. Zai hugs her before leaving, which leaves Lyra disconcerted since no one has hugged her before. When she returns to Hades’s home, Hades is furious about her alliance with Zai.

Part 3, Chapter 40 Summary: “Consequences”

Hades comments on the collection of men falling at her feet to help her, but Lyra dismisses it. Hades thinks Lyra should not trust Zai, but she argues their alliance worked. When she asks about the general well-being of the other champions, Hades berates her for wanting to save others, though she takes exception with Dex. They review what gifts and relics were used by other champions, and Hades warns her that her alliance has made her more enemies. Then, Cerberus appears.

Part 3, Chapter 41 Summary: “Hades’ Pet”

Though initially scared, Lyra warms up to Cerberus. The three-headed dog allows her to pet him. She names each of its heads Cer, Ber, and Rus. Cerberus informs Hades he is needed in the Underworld. Hades tells Lyra they need to talk when he returns, but as she goes to her room, she tells him she’s meeting with Zai instead.

Part 3 Analysis

In this section, Owen begins Lyra’s hero journey within the Crucible as it interacts with her second overarching theme, Resistance Through Humanity. Though Lyra has demonstrated moments of compassion and altruism in the past section, here, Poseidon’s Labor radicalizes her and her perspective on mortal-immortal relationships. Zeus and Poseidon’s individual responses to Isabel’s gruesome death are indicators of how gods view and value human life: “It doesn’t seem possible. She [Isabel] was just here. She was just— ‘Congratulations!’ Zeus’ voice booms from the sky. Zeus, not Poseidon. […] ‘And the winner of today’s competition is…Demeter’s champion, Diego Perez […].’ The god pauses, probably giving us a chance to applaud or something” (150). Owen fashions this scene to highlight a verbal contrast between the champions and the gods: Zeus’s boisterous and remorseless showmanship callously ignores Isabel’s death, while Lyra and the other champions are in shocked speechlessness. Their refusal and/or inability to obediently play in Zeus’s gameshow-style presentation of the results gestures toward both their realization of how dangerous the Crucible will be and how little they matter to the gods they represent. This dynamic is reinforced when Lyra encounters Poseidon, who, rather than being upset over the death of a person, rages over losing against the other gods for kingship of the gods: “Screw whatever the Daemones think they can do to me [Poseidon]. […] If I can’t win, Hades sure as fuck won’t” (178). As a witness to these reactions, Lyra extends her disdain for the gods beyond Zeus, who had previously cursed her. She directly expresses this anger to Hades, asserting that the champions are not disposable and accusing the gods of treating mortals like mere playthings. From then on, Lyra’s focus in the Crucible concretizes: While she still wishes to break her curse, her secondary ambition is to resist abiding by the gods’ bloodthirsty games and doing her utmost to help the other champions, a fact Hades notices when he berates her for her “stubborn insistence on saving everyone around [her]” (202). This moment solidifies Lyra’s ideological divergence from both the gods and some of her fellow champions, such as Dex, who embrace the Crucible’s brutality as a necessity. Unlike them, Lyra refuses to view survival as a purely individual pursuit, reinforcing her role as a moral outlier in a competition designed to strip away morality.

This section also interacts with The Burden of Immortality, which appears in Hades’s discussion of the differences between himself and the other Olympian gods. This suggests that one of the primary impacts of immortality is a disassociation with the mortal realm; that is, with their prolonged existence, the gods no longer understand the significance of human life beyond their whims and desires due to a lack of connection. Owen highlights this disconnect with the butterfly symbol: “[F]or them, mortals come and go. Blips. If you think about the lifespan of a butterfly from a mortal’s perspective, so short compared to yours […] You think of it as a beautiful but doomed thing that is here, then gone too fast to get attached” (157). Hades, however, is an exception to this rule because by virtue of being king in the underworld and receiving human souls upon death. Owen intimates that Hades’s different perspective is one earned only because of his prolonged proximity to humans. His compassion is not inherent but learned, shaped by millennia of watching human suffering unfold. Unlike Zeus and Poseidon, who engage with mortals as playthings, Hades bears the weight of their fates, making his connection to Lyra more than just a power dynamic—it is a reflection of his own estrangement from both divine and mortal worlds.

This growing ideological divide between Hades and the Olympians further emphasizes his distinction from the other gods, much like how Lyra stands apart from the other champions. Their bond is not built on similarity but on shared difference—a connection forged through the ways in which they both exist as anomalies within their respective realms. As the narrative progresses, this dynamic becomes increasingly complex, with Hades’s treatment of Lyra shifting between possessiveness and genuine care. His struggle to balance his growing attachment to her with his calculated ambitions raises the question of whether his detachment from the gods is enough to override his ingrained sense of superiority.

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