75 pages 2 hours read

The Games Gods Play

Fiction | Novel | Adult | Published in 2024

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Parts 1-2Chapter Summaries & Analyses

Part 1: “The Crucible” - Part 2: “Death’s Virtue”

Part 1, Preface Summary

Content Warning: This section references child abuse, emotional abuse, and death.

Angry at the gods, Lyra contemplates nearly succeeding in breaking her curse as she lies bleeding on the ground.

Part 1, Chapter 1 Summary: “A Really Bad Idea”

Lyra observes Zeus’s temple’s display of lightning as members of the Order of Thieves go about stealing possessions from the onlookers. She directs them with whistles from her vantage point. She reflects on becoming part of the Order after her parents offered her as a child to settle their debts. Over time, she repaid her debt, becoming a records keeper for the Order since she wasn’t subtle enough to be a thief. A pledge calls out to Boone Runar, a master thief whom Lyra has a long-held crush on. He doesn’t pay attention to her, and Lyra is reminded of the curse that Zeus placed on her as an infant because her mother’s water broke in his temple.

Part 1, Chapter 2 Summary: “It Only Gets Worse”

Chance, another master thief, notices how Lyra pays attention to Boone and deduces her feelings. He bullies her. Lyra doesn’t engage, but his commentary on her unlovable nature stings. She leaves her station and decides to confront Zeus at his temple.

Part 1, Chapter 3 Summary: “The Last Mistake I’ll Ever Make”

As the famed Crucible, a cryptic festival to choose the next King of the Gods, is set to begin, Lyra stomps to his temple, intent on damaging it to get Zeus’s attention. She crosses through the forest, and as she’s about to launch a rock at one of its columns, a man grabs her. He talks her down, and she realizes he is Hades, Zeus’s brother and king of the Underworld.

Part 1, Chapter 4 Summary: “Beautiful, Teasing Death”

Lyra is wary of Hades. She asks why he’s in the Overworld (the world of the living) and near to Zeus’s temple, but he remains cryptic. They banter over what Hades will do with her, but he claims he won’t kill her and calls her his star, making her more suspicious. Her preconceptions of Hades are challenged, however, and he asks about her curse. He says that she’s allowed to leave.

Part 1, Chapter 5 Summary: “Never Ask a God Why”

Lyra follows Hades away from Zeus’s temple. When they return among humans, Lyra worries about being seen with Hades, but he claims only she can see him as he really is. Calling her by her real name despite her having given him a fake one earlier, Hades leaves, and Lyra walks away.

Part 1, Chapter 6 Summary: “The Chosen Few”

Lyra avoids the other members of the Order of Thieves, especially her boss, Felix, as everyone gathers for the midnight hour, which will ring in the Crucible festival. She goes to the fringes of the city to make her way back to the Order’s den as Zeus announces he’ll be choosing his champion for the Crucible.

Part 1, Chapter 7 Summary: “Stay Out of My Way”

The gods pick their human champions. As Lyra enters the Order’s den, she encounters Boone. He comments on her humming, an unconscious habit of concentration. Lyra tries to avoid him, fearing that Chance told him about her crush. He follows her, showing concern for her previous interaction with Chance. He tries to get her to look at the Crucible broadcast, but she only pays attention when Hades appears. He declares that, in honor of his recently deceased wife, Persephone, he will also join the Crucible and choose a champion. Smoke envelops Lyra at that moment, and she appears on the stage next to Hades as he announces her as his champion.

Part 2, Chapter 8 Summary: “Fortune’s Fools”

Lyra implores Hades not to nominate her, but it’s too late. Zeus confronts Hades and tries to dissuade him from participating, but Hades is adamant. The Crucible games begin, and Lyra and the others are transported to Olympus. In awe, Lyra notes the mountain with the faces of Poseidon, Zeus, and Hades, from which spring three rivers.

Part 2, Chapter 9 Summary: “Taunting Gods”

Hades declares that until the Crucible is over, she belongs to him, and they must present a united front. The gods unite with their chosen champions in the gods’ colors. Lyra remains in her own clothes as Aphrodite and Hades banter over his lack of divine armor. Hades snaps his fingers, and Lyra has new clothes and a tiara. She bickers over being used as a puppet instead of a partner. Poseidon comments on how scared she looks, and Hades asks her if it’s true.

Part 2, Chapter 10 Summary: “Rock. Hard Place. And Me.”

Lyra implies she isn’t scared. When Poseidon makes a jab at Lyra being a thief, she talks back, and Hades protects her from Poseidon’s rage. She asks Hades why he joined the Crucible, stating that it makes her stand out by default, despite his insistence that she blend in. Hades provokes other gods before Zeus calls them to a meeting and asks Zeles, a Daemon, to explain the rules of the Crucible.

Part 2, Chapter 11 Summary: “There’s Always a Twist”

As one of the Crucible’s judges, Zeles explains how the humans represent their god and will compete for them in 12 Labors, each planned by a different god. Whoever wins can request one boon from the newly crowned King of the Gods. The gods and their champions are to be separated into four groups of virtues: Strength, Courage, Mind, and Heart. Lyra does not know to which she—through Hades—belongs, and she grows concerned when Zeles mentions that success may be achieved if all other champions die. Zeles gives the champions the opportunity to decline the “honor” of being a god’s champion, but Hades dissuades Lyra from abdicating, as someone close to her will be chosen in her stead.

Part 2, Chapter 12 Summary: “I Never Was Any Good at Tests”

A pre-Labor test begins, and the champions are tasked with finding a token from their god that will bring them to their god before the one-hour deadline. Winning will give them two gifts from their patrons—one relic and one skill/attribute. Lyra feels disheartened, but before she goes looking for her token, she witnesses a tense exchange between Hades and Aphrodite about Lyra’s so-called passion. Hades warns Lyra that if Aphrodite says the phrase “[d]on’t you wish to” with a specific intent (70), she can make anyone do anything. Dionysus’s champion finds her token, and with time dwindling, Lyra tries to find hers while noting what others are doing.

Part 2, Chapter 13 Summary: “Following the Clues”

As Lyra searches, she encounters Hermes, the patron god of thieves, and he questions why Hades chose her. He threatens her, and she leverages Hades against him. Demeter later asks the same question, and when Lyra tries to offer her sympathies for Persephone’s death, she is rebuked. She notices something on the table of tokens, and as she sees the champions scampering with little time left, she knows what she’s about to reveal is going to anger Hades. She decides to do it anyway.

Part 2, Chapter 14 Summary: “No Good Deed”

She hands off Artemis’s token to her champion. Gods complain, but it isn’t against the rules. She instructs the other champions to look for their god’s symbol on the bottom of their item. The champions scamper to find their items. Ares appears in front of Lyra and destroys her token from Hades as retribution. Since Ares interfered, Zeles and the other Daemones carry him off for punishment. His champion, Neve, is furious with Lyra. Hades intervenes, but Lyra despairs. He reminds her that there are other ways to win. She searches for another option and discovers cryptocode—a code she and other thieves use to transmit messages to other thieves—along with some artifacts that give directions to a path up the mountainside of Olympus that will bring her to the final stage where the gods wait. At Hades’s encouragement, she runs to make it to the end before her last five minutes are up.

Part 2, Chapter 15 Summary: “You Better Work, Bitch”

Lyra encounters illusions in the form of mystical creatures like a hydra and a griffin. She runs through them but quickly tires. Hades speaks to her from afar and encourages her to do better and not give up. At the last second, she throws herself to the top of the dais and makes it in time.

Part 2, Chapter 16 Summary: “Why Do These Things Happen to Me?”

She vomits over Hades’s shoes. He cleans it with a flick of his fingers and offers her water. When she thanks him, he reminds her he isn’t someone to be thanked, but feared. She isn’t cowed. She realizes she was transported to Hades’s house in Olympus. He asks her if she wants her gifts.

Part 2, Chapter 17 Summary: “To the Dubious Victor”

She accepts, and he offers her the tattoos on his arm: a tarantula, an owl, a panther, a fox, and a butterfly. All but the butterfly move to her skin, as if alive. He tells her she can summon them when she needs help. He then offers her a kiss to mark her as his, which leaves Lyra conflicted: She never belonged to anyone. He explains the mark will give her safe passage through the Underworld. Though trepidatious, Lyra allows him to kiss her. The kiss quickly turns passionate, but Hades backs off once the gift is given.

Part 2, Chapter 18 Summary: “Back Where I Was”

A bell chimes, and Lyra must rejoin the other champions. Zeus and the other gods are angry because all champions were awarded gifts in the last round. Aphrodite makes innuendos about Hades and Lyra’s relationship. Zeus announces their first Labor will begin the next day, and Hades transports Lyra to his penthouse in the Overworld instead of his house in Olympus. He asks about her curse again, and Lyra states that no one will want to work with her during the Labors because of it. She suggests Hades send her back and choose another champion, but he claims she is his only choice.

Part 2, Chapter 19 Summary: “Loopholes”

Lyra goes to her room and looks over the tiara he gave her. She finds six black pearls on it and knows they are the six pomegranate seeds associated with Persephone’s legend, which Hades later confirms, though he cannot give her more information since they are an extra artifact he gave her before the Crucible officially began—a loophole in the rules. Lyra deduces when she eats the pearls, they will transport her to the Underworld. As they watch TV commentary on the participants, she asks Hades why he picked her. He tells her he was impressed by her ability to stand up to him, the god of death, while others cower. She asks for more information on the Labors, but Hades only knows that some of them will be like puzzles while others will resemble the Herculean Labors of lore.

Part 2, Chapter 20 Summary: “What Are You Doing Here?”

That night, Boone finds Lyra. He wants to help her, so he gives her a tactical vest filled with tools of the thieving trade, along with her relic.

Part 2, Chapter 21 Summary: “This Is Real”

Lyra recalls how pledges who graduate to master thief in the Order of Thieves mysteriously receive a relic. Though she never graduated, Lyra received a relic one night, a gold-and-silver axe. She tries to deny her ownership to Boone, but he knows it belongs to her. He gives her his lockpicking kit, despite her protests, along with his own relic: dragon teeth that grow bone soldiers when planted in soil. Before he leaves, he tells her that she was wrong to assume they all hated her. When he’s gone, Lyra knows she has no choice but to participate in the Crucible.

Part 2, Chapter 22 Summary: “There Is Nothing Normal About This”

Lyra arrives in the kitchen in the uniform that appeared in her room. She asks if her black clothing is a representation of the virtue group of participants. Hades states that she doesn’t have a group because the virtue valued by Hades is survival. Hades takes issue with her clothes and changes them to fancier ones with butterfly embroidery.

Part 2, Chapter 23 Summary: “Breakfast of Champions”

Lyra has breakfast with Hades. He asks her questions about herself and flirts with her. She mentions the bruising on her ribs from throwing herself on the dais the day before. When she shows him, he calls for Asclepius, the god of healing. He scolds Hades for not calling him sooner and treats Lyra. Asclepius tells her that once the real Labors start, he will only be able to heal the victor. When Asclepius leaves, Hades asks who the man in her room was.

Part 2, Chapter 24 Summary: “Caught Off Guard”

Lyra asks if he hurt Boone, but Hades affirms Boone was left unharmed. Hades inquires if Boone is her lover, which Lyra denies, explaining the reason for his visit. He asks if she’s in love with Boone, which she refuses to answer. A bell rings, announcing the first Labor. They discuss how the Labor is Poseidon’s and will involve courage. Hades gives her final directions: avoid unnecessary risks, use her gifts only when she must, and question everything. He tells her to “get” to him if she needs him and that she can succeed since she is his.

Parts 1-2 Analysis

In the first section of the narrative, Abigail Owen uses first-person narration to explore the tenets of her fantasy- and myth-based world structure and position her main character, Lyra, within it. By placing the central perspective in Lyra, the author outlines the delimitations of the Overworld from Olympus and the Underworld through the relationships humans have with the gods and the livelihoods available in the living world. Owen reveals the stark contrast between San Francisco’s reverence for Zeus and its hidden suffering through two juxtaposed passages. In the first, Lyra describes the city’s awe for its patron god: “A sizzling zap of electricity snaps directly over Zeus’ temple, and I flinch while the crowd oohs and ahhs. People from all walks of life, cultures, and pantheons live in San Francisco, but there’s no denying this is Zeus’ patron city” (14). Yet beneath this grand devotion lies a darker reality. Lyra, a member of the Order of Thieves, recalls, “We were offered as collateral to work off a debt of some sort by our parents, and most thieves look forward to every job we get. Any job is one step closer to clearing the books. Not me, though. I have no debt anymore” (15). Though Zeus’s power commands admiration, the city he governs harbors an undercurrent of poverty so severe that its most vulnerable citizens are trafficked into servitude. In both of these examples, the human experience in Owen’s world is highly exploitative, either by a subservient relationship to god-figures and/or oppressive societal institutions, like the Order of Thieves. By using Lyra as the narrator, however, Owen outlines how much of an outsider she is to both experiences: Lyra is irreverent to Zeus and the other gods because she was cursed as a baby on a whim, and though she was initially trafficked as a child, she has regained her freedom and chooses to remain with the Order since she has no family to return to.

Owen highlights the ways in which power is concentrated in the hands of the gods, leaving mortals to suffer the consequences of their actions. The vast disparity between those who worship and those who rule creates a tension that underscores the novel’s worldbuilding, reinforcing the idea that faith does not necessarily grant protection. By emphasizing Lyra’s role as an outsider to both mortal and immortal society, Owen positions her as uniquely capable of resisting the structures that govern her world. The gods operate with impunity, treating human lives as either entertainment or pawns in their larger schemes. Lyra’s resentment toward them, particularly Zeus, stems not only from her curse but also from the recognition that the gods wield absolute power without accountability. This cynicism fuels her defiance, making her one of the few characters willing to directly challenge the divine order.

This section also explores one of Owen’s overarching themes, The Value of Love, which is the driving force that motivates Lyra to accept her forced nomination as Hades’s champion. The author highlights just how important love figures for Lyra by outlining her goal in the Preface: “I got so close. So damned close to finally reaching my goal, finally seeing my curse broken, and maybe, just maybe, finally feeling the love of the man I long for” (13). Owen underlines how, for Lyra, being denied the ability to feel love and being loved by others is the greatest tragedy of her life. More than being abandoned and trafficked as a child or forced to become a member of the Order of Thieves, her inability to have a loving relationship when she herself yearns for connection is her biggest obstacle to finding fulfillment, as its absence has left her isolated, lonely, and unable to communicate her own feelings to others—a state that, as will later be explored, parallels Hades’s own situation in Olympus.

Lyra’s deep sense of yearning remains one of the most defining aspects of her character. Unlike the other champions who enter the Crucible for power, glory, or escape, Lyra’s motivations are profoundly personal. Love, for her, is not a fleeting desire but an essential need that has shaped every aspect of her life. Owen establishes that Lyra’s emotional isolation is not merely the result of circumstance but an imposed state, reinforcing the cruelty of Zeus’s curse. This detail is crucial because it distinguishes Lyra from the other characters who have experienced rejection or hardship—her loneliness is not incidental but predetermined. This sense of enforced alienation fuels her defiance and strengthens her resolve to resist the gods’ control.

Owen also foreshadows the theme of Resistance Through Humanity in the ways Lyra begins to challenge divine authority. From the moment she marches toward Zeus’s temple, she demonstrates an unwillingness to accept the fate the gods have laid out for her. While other characters view the Crucible as either a necessary evil or an honor, Lyra perceives it as another example of the gods’ tyranny. Her instinct is not to compete but to undermine the gods’ expectations of her, setting the stage for her continued rebellion throughout the novel. Her ability to see beyond the immediate stakes of the game suggests that her defiance is not just about survival but about redefining what it means to be a participant. By positioning herself outside the expectations of the Crucible, she subtly challenges the very foundation of the gods’ power.

Additionally, this section begins to lay the foundation for the theme of The Burden of Immortality. Lyra’s first encounter with Hades reveals a key contrast between him and the other gods. While Zeus and the other Olympians wield their power with reckless abandon, Hades appears more measured, more aware of the consequences of eternity. His cryptic remarks about being feared rather than thanked hint at a deeper loneliness that mirrors Lyra’s own. By aligning Lyra with Hades so early in the novel, Owen suggests that the gods themselves are not immune to the suffering they inflict on mortals. Hades, in particular, embodies the cost of immortality, existing in a space of perpetual detachment. His willingness to defy Zeus by selecting Lyra as his champion further reinforces the idea that immortality is not just a gift but a prison.

In choosing Lyra as his champion, Hades introduces a fundamental shift in the dynamics of the Crucible. Unlike the other gods, who select their champions based on traditional virtues—strength, courage, or intelligence—Hades values survival. Lyra is not the strongest, the most cunning, or the most ruthless, but she is adaptable. Her ability to persist despite overwhelming odds makes her a unique figure in the games, and Hades’s recognition of this quality marks him as distinct from his divine peers. This decision also serves as a commentary on the arbitrary nature of divine favor. While the other gods choose champions who reflect their own attributes, Hades selects someone who defies easy categorization. This choice further cements Lyra’s role as an outlier, reinforcing the broader narrative of resisting imposed fate.

The foundation of Lyra and Hades’s relationship in these early chapters is built upon mutual recognition. Both characters exist at the margins of their respective worlds—Lyra as a mortal cursed to be unloved, and Hades as a god who has distanced himself from Olympus. Their interactions suggest a shared awareness of what it means to be an outsider. As the narrative progresses, this connection grows increasingly significant, challenging not only Lyra’s perception of the gods but also Hades’s perception of himself, foreshadowing allyship and romance.

By introducing these themes early, Owen ensures that the novel is not merely about survival but about the deeper implications of power, love, and defiance. Lyra’s reluctance to participate in the Crucible and her immediate resistance to its structure foreshadow the greater struggles to come. More than just a contestant, she is a disruption. This refusal to conform serves as the driving force behind her character arc, making her not just a participant in the gods’ games, but a force that threatens to overturn them entirely.

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