60 pages 2 hours read

The Obelisk Gate

Fiction | Novel | Adult | Published in 2016

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Background

Series Context: Broken Earth Trilogy

N. K. Jemisin’s Broken Earth trilogy takes place on a planet similar to Earth, except the landmasses have coalesced into one giant continent. This continent is ironically called the Stillness; its high level of tectonic activity frequently leads to cataclysmic natural disasters. These periods are known as Fifth Seasons (or simply Seasons). The type and length of disaster varies every time, but many civilizations have fallen because of them. The current governing regime, an empire in practice but not name, has lasted for thousands of years because they have produced a level of geologic stability by oppressing and exploiting orogenes—people born with the ability to sense (“sess”) tectonic activity and redirect kinetic energy to negate (or create) seismic events. Because orogenes have the potential to be dangerous (to individuals and the ruling powers) there is an entire class of people devoted to policing and controlling them called Guardians.

As the second book in a series of three, The Obelisk Gate is less about building to conclusions and more about moving all the pieces into position for the finale. Thus, the novel makes one major structural change. Rather than jumping between different points in Essun’s life, the narrator focuses on two other people who are foundational to Essun’s life: her former Guardian, Schaffa, and her daughter, Nassun. These characters all carry entangled baggage and have all shaped and reshaped one another in ways they will come to discover. Figuring out who they want to be and the impact they want to have on the events playing out around them will largely depend upon whether they can make sense of how their pasts continue to impact them.

Genre Context: Fantasy and Science Fiction

Both the science fiction and fantasy genres have typically been white, male-dominated spaces—both in terms of the authors who find critical and commercial success and the characters in the stories themselves. Much fantasy writing is rooted in European history and culture: Kings and lords battle over birthrights, knights go on quests, and societies are organized in ways strikingly similar to medieval Europe. When people of color do appear, they are often exoticized, demonized, or both. There is also an inherently conservative strain running through much fantasy writing, insofar as the heroes’ quests involve returning things to the status quo—the underlying assumption being that the status quo is good and worth saving.

Jemisin takes aim at all of this with her fantasy and science fiction writing. The multiracial cast of characters in the Broken Earth trilogy is as diverse as it is fleshed out and demonstrates Jemisin’s efforts to put the marginalized in the center. This is not to say that Jemisin erases the idea of race—far from it. Many different racial markers exist in this world, some of them clearly mapping on to the real world, while others, like “icewhite” eyes, do not. In this way, she can create a world that feels distinct and new while simultaneously pointing out the ways that race works as a social construct. She explores The Devastating Effects of Systemic Oppression using a similar means: While orogenes themselves do not resemble any specific group in the real world, the way they are oppressed and the consequences of it do. Jemisin has no interest in the traditional fantasy heroes who upend the evil threatening the status quo. As a person coming from a marginalized and oppressed background, that status quo is itself harmful to her. The event that threatens the story’s world is not the product of evil but a response to it: Alabaster opens the rift because the world as it exists is so profoundly unjust that it must be remade. Jemisin thus attempts to use these fantasy worlds to reflect and reimagine the world we actually live in.

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